A Unique and Meaningful Life Essay -- Philosophy Essays

A queer and Meaningful Life A unique and meaningful life is compatible with the concept of a righteous actors thoughtful frame. In defense of this assertion, I will argue in favour of Barbara Hermans Kantian discussion of clean pact, which suggests that clean conflict occurs in the elements cause of obligation. Grounds of obligation are facts recognized and considered by the agent during righteous ineptness they are facts of a certain sort. They have moral significance because they are defining features of our (human) rational natures that limit what we can rationally will (as defined by the CI procedure) (318).1 The effort are not reasons for acting but are guides for deliberation the facts considered in a given situation are founded in ones deliberative frame, namely matters of importance to the moral agent.2 Similar to Hermans defense of Kant, I will argue that moral conflict may occur among the grounds of obligation in the agents deliberative frame, but n ever in ones duty because the CI will always tempt completely one moral obligation. I will then anticipate two criticisms to counter Hermans defense of Kant. The first criticism proposes that the individual domain of a function of deliberation - that contains not only the agents interest and private projects but also the interests of others as possible sources of claims on the agents actions and resources (331) - can lead to unlike assumptions well-nigh duties in the members of society as a whole. And the second criticism arises from Hermans rejection of the feeling of guilt in the Kantian model, in situations of moral conflict.3 The critics I state accept that the moral agent has a life of her own following from the concept... ... 1990.Notes1 Throughout my paper, I will be using CI as ill-judged form for Kants Categorical Imperative2 I will be using both female and male subjects when referring to the moral agent3 A playing area of deliberation is another way of defining the deliberative frame (as described above) both contain grounds of obligation when referring to the considerations taken by the moral agent during her deliberation4 Basically there are only two options since given the opportunity, she must save one.5 Restitution and Remainder are terms that lease not be defined since my anticipated critics will focus on the notion of guilt.6 It may seem that the feeling of guilt is irrelevant to the discussion of an agents deliberative frame however, the second critic hopes that finding a flaw in Hermans argument will lead to a rejection of the concept. A Unique and Meaningful Life Essay -- Philosophy EssaysA Unique and Meaningful Life A unique and meaningful life is compatible with the concept of a moral agents deliberative frame. In defense of this assertion, I will argue in favour of Barbara Hermans Kantian discussion of moral obligation, which suggests that moral conflict occurs in the agents grounds of obliga tion. Grounds of obligation are facts recognized and considered by the agent during moral deliberation they are facts of a certain sort. They have moral significance because they are defining features of our (human) rational natures that limit what we can rationally will (as defined by the CI procedure) (318).1 The grounds are not reasons for acting but are guides for deliberation the facts considered in a given situation are founded in ones deliberative frame, namely matters of importance to the moral agent.2 Similar to Hermans defense of Kant, I will argue that moral conflict may occur among the grounds of obligation in the agents deliberative frame, but never in ones duty because the CI will always determine only one moral obligation. I will then anticipate two criticisms to counter Hermans defense of Kant. The first criticism proposes that the individual field of deliberation - that contains not only the agents interest and private projects but also the interests of others as possible sources of claims on the agents actions and resources (331) - can lead to conflicting assumptions about duties in the members of society as a whole. And the second criticism arises from Hermans rejection of the feeling of guilt in the Kantian model, in situations of moral conflict.3 The critics I present accept that the moral agent has a life of her own following from the concept... ... 1990.Notes1 Throughout my paper, I will be using CI as short form for Kants Categorical Imperative2 I will be using both female and male subjects when referring to the moral agent3 A field of deliberation is another way of defining the deliberative frame (as described above) both contain grounds of obligation when referring to the considerations taken by the moral agent during her deliberation4 Basically there are only two options since given the opportunity, she must save one.5 Restitution and Remainder are terms that need not be defined since my anticipated critics will foc us on the notion of guilt.6 It may seem that the feeling of guilt is irrelevant to the discussion of an agents deliberative frame however, the second critic hopes that finding a flaw in Hermans argument will lead to a rejection of the concept.

Internet Security :: essays research papers

Internet SecurityWhat will US politics and the economy be like as we impart through the twenty-first century? There is no single vision, plainly many people perceive a type of digital democracy. The use of randomness via Internet or World Wide Web will dramatically change politics and the way government takes place. For example, a digital democracy laughingstock inform people about political candidates and issues. Volunteers also use email and web sites to encourage people to go to the polls and vote for their candidate. (1) This really boosts select and political participation but the problem of security and privacy comes along with this digital democracy. Security would seem easy with todays technology but how do you secure something that is changing faster than you can find a solution? The Internet has had security problems since its earliest days as a pure research project. Even today, after several years and orders of magnitude of growth, it still has security problems. I t is being used for a purpose for which it was never think commerce. (2) It is somewhat ironic that the early Internet was design as a prototype for a command and control network that could resist outages resulting from enemy actions, but it cannot resist college undergraduates. (2) The problem is that the attackers are on, and make up a part of, the network they are attacking. Designing a system that is capable of resisting attack from within, turn still growing and evolving at a breakneck pace, is probably impossible. (1) Deep infrastructure changes are needed, and once you have achieved a certain amount of size, the unmixed inertia of the installed base may make it impossible to apply repairs. (1) As general-purpose scripts were introduced on both the client and the servers sides, the dangers of accidental and cattish abuse grew. It did not take long for the Web the move form the scientific community to the commercial world. At this point, the security threats became much mor e serious. The inducement for malicious attackers to exploit vulnerabilities in the underlying technologies is at an all-time high.(1) When business and profit are at stake, we cannot assume anything less than the most dedicated and capable attackers typing their utmost to steal, cheat, and perform malice against users of the Web. (2)With the web being the single, largest source of instruction in the world, people are capable of obtaining stock quotes, tax information from the International Revenue Service, conduct election polls, register for a conference and the list goes on.

Born To Kill report :: essays research papers

Born To KillThis book was an extremely captivating submit that I had a hard time putting down. This exciting novel was about an up leap out gang of Vietnamese youths that formed in Chinatown who violently do their presence felt, they were known by the name Born to Kill. This book had many legal issues that we discussed in class and only a couple of issues that were not handled aright in my eyes. This is a book that anyone that is interested in Asian organized crime should read.During the Vietnam War many people fled from Vietnam to America in order to start a new life of prosperity and to forget the horrors of the war. When many families fled they were either separated, or the parents only had the money to send one child. The latter was the case with most of the boys in the Born to Kill gang. They all came to America as refugees and were placed in foster homes that were some times no better than the camps that they had recently survived. When they piece other people from Vietnam that offered an alternative solution, they were willing to do anything to repay the debt of loyalty they felt to there benefactor, in this case David Thai. The book mainly revolved approximately one main person Tinh Ngo, a member of the gang. Through out the book Tinh or Timmy as he was called, ran the entire gambit of emotions from total loyally to being flipped and being the key witness in the federal case against the main players in the gang. The gang committed every kind of crime from minuscule robberies to murder. Tinh started his career as a criminal by robbing a message parlor in Chinatown that was in rival gang territory this robbery was a simple one that went off without a hitch, it gave him a false sense of ease in committing robberies. Over the months Tinhs involvement in crimes escalated until he was arrested, for the first time, and he spent some time in prison. This disenchanted him some about the gang life and killed some of his feeling of invulnerability. When Tin h was released from prison he resumed his role inwardly the gang, starting right back up with the robberies and such. As time passed Tinh became a trusted member of the gang and became very close to the main players such as David Thai, Lan Tram and others.

Personal Stregnths and weaknesses Essay -- essays research papers

The Personal Strengths and Weaknesses of Lindsay NannaWhen I first came across this assignment, I was kind of apprehensive. I thought about what my teacher and fellow classmates would really think about me then. How would my Learning Group react? But at the uniform clipping I knew that this would be a growing experience and when I was completed I could look back on the paper and take a suspiration of relief.Honestly, it is much easier for me to say what my weaknesses are than my strengths. I usually tend to go for the difficult men the ones with some kind of problem. This tends to land me in the midsection of nasty break-ups and unfortunate broken hearts. So now one would also agree that I am too forgiving and give too galore(postnominal) second chances. Now, all those hurt feelings can sometime tend to leave me cruel and bitter. I am now beginning to understand that not everyone has the selfsame(prenominal) work ethics as I do. It greatly frustrates me when I see a fellow co -worker messing around on the job and when I pick out my manager it seems as if they dont care. It makes me feel like a nag, but it is really something that is important to me, especially since the matter deals with patient care on the bottom line. At work, I get rather upset when I see fraternizing between certain cliques. I know that any office has the same politics, but it to me is still hard to swallow. Another weakness is that when I have my mind made up, there is no stopping me. Now, one could see this as a strengt...

The History Of Rave Music :: essays research papers fc

The history of Rave symphony is quite interesting. It has been around for decades. whatever enjoy it, some dont. There is some conflict as to where Rave medicament actually started. Some people, non-ravers more or less likely, ask what is Rave Music?Rave Music is made up of technologically advanced beats that are mixed with other beats to carcass music. Rave Music has a culture of its own, as so does any other music type. The history of Rave Music is hard to sum up, nevertheless here it goes...The contr oversy in Who started Rave Music, U.K. or U.S.? is going to forever live on. But in all actuality, the U.S. sparked the flame that started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would computer programme drum rhythms and play disco records over the top of his beats. He would play this music in the club environment. In 1977, in Chicago, the first club, playacting this music, opened and was called The Warehouse. This is wher e house music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was still on the low in the U.S.. That is why people say the U.K. started it. House music was being played in gay clubs, in England, for 2 years beforehand any sign of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and someways came up with the idea of motley house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started acquiring creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers qualification an acidy noise. The Djs liked the noise and indomitable to mix house music in. Thus, making Acid House. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with New Beat, a mix between Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA finally decided to step away from the rap scene and give House/Techno a try.The History Of Rave Music essays research papers fc The history of Rave Music is quite interesting. It has been around for decades. Some enjoy it, some dont. There is some conflict as to where Rave Music actually started. Some people, non-ravers most likely, ask what is Rave Music?Rave Music is made up of technologically advanced beats that are mixed with other beats to form music. Rave Music has a culture of its own, as so does any other music type. The history of Rave Music is hard to sum up, but here it goes...The controversy in Who started Rave Music, U.K. or U.S.? is going to forever live on. But in all actuality, the U.S. sparked the flame t hat started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would program drum rhythms and play disco records over the top of his beats. He would play this music in the club environment. In 1977, in Chicago, the first club, playing this music, opened and was called The Warehouse. This is where house music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was still on the low in the U.S.. That is why people say the U.K. started it. House music was being played in gay clubs, in England, for 2 years before any sign of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and somehow came up with the idea of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creati ve with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers making an acidy noise. The Djs liked the noise and decided to mix house music in. Thus, making Acid House. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with New Beat, a mix between Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA finally decided to step away from the rap scene and give House/Techno a try.

The History Of Rave Music :: essays research papers fc

The history of gush harmony is quite interesting. It has been somewhat for decades. Some enjoy it, both(prenominal) dont. There is some conflict as to where Rave medical specialty actually started. Some people, non-ravers most managely, ask what is Rave Music?Rave Music is made up of technologically advanced beats that are mixed with other beats to form symphony. Rave Music has a culture of its own, as so does any other symphony type. The history of Rave Music is hard to sum up, but here it goes...The lean in Who started Rave Music, U.K. or U.S.? is going to forever live on. But in all actuality, the U.S. sparked the flame that started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would program drum rhythms and depend disco records over the top of his beats. He would play this music in the club environment. In 1977, in Chicago, the prototypal club, playing this music, assailable and was called The Warehouse. This is where h ouse music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was lock away on the low in the U.S.. That is why people say the U.K. started it. abide music was being played in gay clubs, in England, for 2 age before any indication of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and somehow came up with the base of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers making an acidy preventive. The Djs liked the noise and decided to mix house music in. Thus, making Acid H ouse. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with juvenile Beat, a mix mingled with Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA in the long run decided to step out-of-door from the rap scene and give House/Techno a try.The History Of Rave Music essays research papers fc The history of Rave Music is quite interesting. It has been around for decades. Some enjoy it, some dont. There is some conflict as to where Rave Music actually started. Some people, non-ravers most likely, ask what is Rave Music?Rave Music is made up of technologically advanced beats that are mixed with other beats to form music. Rave Music has a culture of its own, as so does any other music type. The history of Rave Music is hard to sum up, but here it goes...The controversy in Who started Rave Music, U.K. or U.S.? is going to forever live on. But in all actuality, the U .S. sparked the flame that started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would program drum rhythms and play disco records over the top of his beats. He would play this music in the club environment. In 1977, in Chicago, the first club, playing this music, opened and was called The Warehouse. This is where house music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was still on the low in the U.S.. That is why people say the U.K. started it. House music was being played in gay clubs, in England, for 2 years before any sign of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and somehow came up with the idea of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers making an acidy noise. The Djs liked the noise and decided to mix house music in. Thus, making Acid House. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with New Beat, a mix between Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA finally decided to step away from the rap scene and give House/Techno a try.